{"id":121,"date":"2024-11-28T18:41:25","date_gmt":"2024-11-28T18:41:25","guid":{"rendered":"https:\/\/wordpress.gko.ch\/?page_id=121"},"modified":"2024-11-28T18:41:26","modified_gmt":"2024-11-28T18:41:26","slug":"werkliste","status":"publish","type":"page","link":"https:\/\/gko.ch\/?page_id=121","title":{"rendered":"Werkliste"},"content":{"rendered":"\n

Werkliste bis 2004<\/h2>\n\n\n\n
Orchesterwerke<\/strong><\/td><\/tr>
J.S. BACH<\/td>Ouvert\u00fcre Nr. 1, 3, Brandenburgisches Konzert Nr.1, 2, 5, Kunst der Fuge, Chor\u00e4le f\u00fcr Streichorchester<\/td><\/tr>
Joh. Chr. BACH<\/td>Sinfonia in G<\/td><\/tr>
BARBER<\/td>Adagio f\u00fcr Streicher<\/td><\/tr>
BARTOK<\/td>Rum\u00e4nische Volkst\u00e4nze<\/td><\/tr>
BEETHOVEN<\/td>Sinfonie Nr.1 in C-Dur, Coriolan-Ouvert\u00fcre<\/td><\/tr>
BIBER<\/td>Battaglia f\u00fcr Streicher<\/td><\/tr>
BOYCE<\/td>Symphony Nr.8<\/td><\/tr>
BRAHMS<\/td>Ungarische T\u00e4nze Nr.11 und Nr.14<\/td><\/tr>
BRITTEN<\/td>Simple Symphonie<\/td><\/tr>
CORELLI<\/td>Sonata da chiesa d-moll, Stefani-Variation<\/td><\/tr>
DVOR\u00c1K<\/td>Zwei Walzer, Slawischer Tanz<\/td><\/tr>
ELGAR<\/td>6 einfache St\u00fccke f\u00fcr Streichorchester<\/td><\/tr>
FARKAS<\/td>Piccola musica di concerto; Partita all‘ ungarese<\/td><\/tr>
FRIEDLI A.M.<\/td>Golden Men f\u00fcr Streichorchester und Latin-Jazzband<\/td><\/tr>
FROBERGER<\/td>Cappriccio in G Dur<\/td><\/tr>
GABRIELI<\/td>Canzone<\/td><\/tr>
GLUCK<\/td>Ballett-Musiken; Sinfonia in G-Dur<\/td><\/tr>
GRIEG<\/td>Holberg-Suite; Zwei norwegische Lieder „Im Volkston“<\/td><\/tr>
H\u00c4NDEL<\/td>Wassermusik<\/td><\/tr>
HAYDN<\/td>Sinfonie Nr.31, 53, 63, 94, 104, \u00abDie sieben letzten Worte\u00bb ;<\/td><\/tr>
HINDEMITH<\/td>F\u00fcnf St\u00fccke f\u00fcr Streichorchester; acht St\u00fccke f\u00fcr Streichorchester op 44 III<\/td><\/tr>
JANACEK<\/td>Suite f\u00fcr Streichorchester<\/td><\/tr>
LULLY<\/td>Chaconne f\u00fcr Streichorchester<\/td><\/tr>
MENDELSSOHN<\/td>Sinfonia in g-moll (Nr. XII)<\/td><\/tr>
FANNY MENDELSSOHN<\/td>Pr\u00e4ludium f\u00fcr Streicher<\/td><\/tr>
MURTO<\/td>The fiddlers, Suiter f\u00fcr Streichorchester<\/td><\/tr>
L. MOZART<\/td>Kindersinfonie;<\/td><\/tr>
W.A. MOZART<\/td>Sinfonien Nr. 1, 39, 40, 41, Serenata notturna, DIVERTIMENTO Nr.1, f\u00fcr 2 Klarinetten, 2 H\u00f6rner und Streicher,  KV 113;<\/td><\/tr>
PACHELBEL<\/td>Canon<\/td><\/tr>
PENDERECKI<\/td>Suite im alten Stil f\u00fcr Streicher<\/td><\/tr>
PR\u00c4TORIUS<\/td>Orchestersuite aus Terpsichore<\/td><\/tr>
PROKOFIEFF<\/td>Peter und der Wolf<\/td><\/tr>
PURCELL<\/td>Sommernachtstraum- Suite<\/td><\/tr>
REGER<\/td>Lyrisches Andante<\/td><\/tr>
ROSSINI<\/td>Ouvert\u00fcre \u00abL’Italiana in Algeri\u00bb<\/td><\/tr>
SAINT-SA\u00cbNS<\/td>Le Carnaval des Animaux<\/td><\/tr>
SALIERI<\/td>Sinfonie Nr.19 1. Satz<\/td><\/tr>
SCHUBERT<\/td>Symphonie Nr.5 in B-Dur, Ballettmusik zu \u00abRosamunde\u00bb;<\/td><\/tr>
STRAUSS<\/td>Pizzicato-Polka<\/td><\/tr>
STRAVINSKY<\/td>Suite f\u00fcr kleines Orchester<\/td><\/tr>
TELEMANN<\/td>Festliche Suite f\u00fcr Streicher in A-Dur<\/td><\/tr>
VIVALDI<\/td>Concerto grosso in d-moll<\/td><\/tr>
WAGNER<\/td>Siegfriedidyll<\/td><\/tr>
WALDSTEIN<\/td>Sinfonie D-Dur<\/td><\/tr>
WEBER<\/td>Sinfonie Nr.2<\/td><\/tr>
WULLSCHEGER Isabel<\/td>Orage d’Oiseaux f\u00fcr Streicher<\/td><\/tr>
Solokonzerte<\/strong><\/td><\/tr>
BACH<\/td>Violinkonzert a-moll, Konzert f\u00fcr 2 Violinen d-moll, Klavierkonzert in d-moll, D-Dur, Concerto f\u00fcr 2 Klaviere in C-Dur, (BWV 1061)<\/td><\/tr>
BEETHOVEN<\/td>Klavierkonzert Nr.2 und Nr.4, Violinkonzert<\/td><\/tr>
BOCCHERINI<\/td>Cellokonzert in B-Dur<\/td><\/tr>
CASADESUS-BACH<\/td>Cellokonzert c-Moll 1.Satz<\/td><\/tr>
CHOPIN<\/td>Klavierkonzert Nr.1<\/td><\/tr>
DEBUSSY<\/td>T\u00e4nze f\u00fcr Harfe und Streicher<\/td><\/tr>
FRANCESCINI<\/td>Konzert f\u00fcr 2 Trompeten<\/td><\/tr>
GIULIANI Mauro<\/td>Gitarrenkonzert in A-Dur 1.Satz<\/td><\/tr>
GLUCK<\/td>Arie und und Recvitativ aus „Orph\u00e9e et Eurydice“<\/td><\/tr>
GRIEG<\/td>Klavierkonzert a-moll op.16<\/td><\/tr>
H\u00c4NDEL<\/td>Orgelkonzerte Nr.2, 4, 5, 13, Harfenkonzert B-Dur op4. Nr.6<\/td><\/tr>
HAYDN<\/td>Cellokonzert in C-Dur, Fl\u00f6tenkonzert D-Dur, Klavierkonzert in D-Dur, Orgelkonzert C-Dur; Klavierkonzert in C-Dur Hob XIV:12<\/td><\/tr>
GRAUN<\/td>Orgelkonzert in F<\/td><\/tr>
KELLER<\/td>Ritual f\u00fcr Fl\u00f6te und Streicher<\/td><\/tr>
KOBELT<\/td>Konzert f\u00fcr Orgel, Streichorchester und Pauken op.28<\/td><\/tr>
KRAFT<\/td>Cellokonzert in C-Dur<\/td><\/tr>
LANCEN<\/td>Kontrabasskonzert<\/td><\/tr>
MENDELSSOHN<\/td>Violinkonzert in e-moll Op. 64<\/td><\/tr>
L. MOZART<\/td>Alphornkonzert<\/td><\/tr>
W.A. MOZART<\/td>Fagottkonzert, Fl\u00f6ten-Harfen-Konzert, Fl\u00f6tenkonzert Nr.2, Hornkonzert Nr.3, Klarinettenkonzert, Klavierkonzert Nr.12 A-Dur und Nr.27, Violinkonzert Nr.3, HORNKONZERT Nr.4, Es-DUR KV 495; Sinfonia concertante f\u00fcr Violine, Viola und Orchester KV 364 <\/td><\/tr>
PERGOLSEI<\/td>Arie aus „Stabat mater“ f\u00fcr Sopran und Orchester<\/td><\/tr>
RHEINBERGER<\/td>Suite op. 149 f\u00fcr Violine, Cello und Orgel Smit Streichorchester<\/td><\/tr>
SCHUMANN<\/td>Klavierkonzert in a-moll, Cellokonzert a-Moll<\/td><\/tr>
TELEMANN<\/td>Bratschenkonzert G-Dur<\/td><\/tr>
VANHAL<\/td>Orgelkonzert F-Dur<\/td><\/tr>
VIVALDI<\/td>aus den Jahreszeiten: Satz 1, 2, Concerto grosso d-moll, Fagottkonzert F-Dur, Fl\u00f6tenkonzert \u00abLa notte\u00bb, Konzert f\u00fcr 2 Gitarren G-Dur, Mandolinenkonzert C-Dur<\/td><\/tr>
Chorwerke<\/strong><\/td><\/tr>
J.S. BACH<\/td>Johannespassion, Kantaten Nr. 29, 37, 39, 78, Magnificat, u.a.<\/td><\/tr>
BEETHOVEN<\/td>Chorfantasie<\/td><\/tr>
BUXTEHUDE<\/td>Kantate \u00abAlles was ihr tut*<\/td><\/tr>
BORTNIANSKY<\/td>Russischer Vesperchor<\/td><\/tr>
BRAHMS<\/td>„O heiland reiss die Hiimmel auf“, Chormotette, 13. Psalm op27  a capella<\/td><\/tr>
DURANTE<\/td>Magnificat B-Dur<\/td><\/tr>
H\u00c4NDEL<\/td>C\u00e4cilienode, Dettinger Te deum, Messias, Psalm 100<\/td><\/tr>
HAYDN<\/td>Die Sch\u00f6pfung, Te deum<\/td><\/tr>
HINDEMITH<\/td>Kanons f\u00fcr Chor und Streichorchester<\/td><\/tr>
KEISER<\/td>Markuspassion<\/td><\/tr>
KOBELT<\/td>Canticum perpetuum, Psalmenmesse, Glarnerlieder; Zwei Bilder f\u00fcr Chor und Orchester<\/td><\/tr>
W.A. MOZART<\/td>Kr\u00f6nungsmesse, Messe c-moll, Requiem, Notturnos f\u00fcr Chor und Orchester<\/td><\/tr>
CHUBERT<\/td>Messe Nr. 2 G-Dur, Orchester- und Chors\u00e4tze aus „Rosamunde“<\/td><\/tr>
VIVALDI<\/td>Gloria<\/td><\/tr>
Opern<\/strong><\/td><\/tr>
W.A. MOZART<\/td>Bastien und Bastienne<\/td><\/tr>
PERGOLESI<\/td>La Serva Padrona<\/td><\/tr>
KORSAKOV<\/td>Mozart und Salieri<\/td><\/tr>
Solisten 1976 – 2004<\/strong><\/td><\/tr>
ALPHORN<\/td>John Loretan<\/td><\/tr>
BRATSCHE<\/td>Rudolf Isler, Marianne Sch\u00f6nb\u00e4chler, Barbara H\u00fcbner<\/td><\/tr>
CELLO<\/td>Ayelet Evron-Blesi, Anita Jehli, Andreas Kammerecker, David Reitz, Christoph Steiner, John Todd<\/td><\/tr>
CEMBALO<\/td>Markus K\u00fchnis, Hans Vollenweider<\/td><\/tr>
FAGOTT<\/td>Erich Zimmermann<\/td><\/tr>
FL\u00d6TE<\/td>Patricia Tschudi, Hans Brupbacher, Balz Burri, Heinrich Keller,<\/td><\/tr>
GITARRE<\/td>Jury Clormann, Georg Dellapietra<\/td><\/tr>
HARFE<\/td>Katrin Bamert, Praxedis Hug-R\u00fctti<\/td><\/tr>
HORN<\/td>Matthias Berg, Jakob Hefti<\/td><\/tr>
KLARINETTE<\/td>Fides auf der Maur, Ricardo Gatzmann<\/td><\/tr>
KLAVIER<\/td>Werner B\u00e4rtschi, Hedwig Blumer-Batt, David Kobelt, Georges Martin, Niklaus Meier, Patrizio Mazzola ,Jakob Strebi, Daniel Zbinden<\/td><\/tr>
KONTRABASS<\/td>Yoan Goilav; Betty Otter<\/td><\/tr>
MANDOLINE<\/td>Franz Regli<\/td><\/tr>
ORGEL<\/td>Hans-Beat H\u00e4nggi, Ruth Illi, David Kobelt, Jakob Kobelt, Jakob Strebi<\/td><\/tr>
TROMPETE<\/td>Ralph Bryant, Edvard Cervenka, Claude Rippas<\/td><\/tr>
VIOLINE<\/td>Brigitte Aeppli, Johanna Beglinger, Bettina Boller, Barbara Brunner, Peter Ferndriger, Frank Gassmann, Rudolf Isler, Katharina Kobelt, Heinz Rellstab, Domenica Padovan<\/td><\/tr><\/tbody><\/table><\/figure>\n","protected":false},"excerpt":{"rendered":"

Werkliste bis 2004 Orchesterwerke J.S. BACH Ouvert\u00fcre Nr. 1, 3, Brandenburgisches Konzert Nr.1, 2, 5, Kunst der Fuge, Chor\u00e4le f\u00fcr […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"class_list":["post-121","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/gko.ch\/index.php?rest_route=\/wp\/v2\/pages\/121","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/gko.ch\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/gko.ch\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/gko.ch\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/gko.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=121"}],"version-history":[{"count":1,"href":"https:\/\/gko.ch\/index.php?rest_route=\/wp\/v2\/pages\/121\/revisions"}],"predecessor-version":[{"id":122,"href":"https:\/\/gko.ch\/index.php?rest_route=\/wp\/v2\/pages\/121\/revisions\/122"}],"wp:attachment":[{"href":"https:\/\/gko.ch\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=121"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}